A Time There Was: Stories from the Last Days of Kenya Colony

A Time There Was: Stories from the Last Days of Kenya Colony

| 1 h 27 min
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This autobiographical documentary revisits the Mau Mau Rebellion of the 1950s. More than 50 years after the conflict, in which the director participated as a young British soldier stationed in Kenya for his national service, he confronts his past with audacity and unflinching self-inquiry.

Combining McWilliams' own photographic record of the times with original animation and archival imagery, A Time There Was crafts a thoughtful account of the Mau Mau Rebellion – one of the most contentious episodes in Britain’s imperial endgame.

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Largeur de la vidéo :

par (( height )) Réinitialiser
  • réalisation
    Donald McWilliams
  • montage
    Donald McWilliams
  • narration
    Donald McWilliams
  • caméra
    James Aquila
  • preneur de son
    Karen Feiertag
  • participation
    Mwaria Njuma
    John Nottingham
    Achrroo Kapila
  • caméra
    John Walker
  • animation
    Marcy Page
    Randall Finnerty
  • dessin
    Gail Lamarche
  • caméra d'animation
    Pierre Landry
    Thea Pratt
  • *
    Suzie Synnott
    Sarah Marchand
    Karen Feiertag
  • spécialiste en imagerie numérique
    Susan Gourley
  • montage sonore
    Oana Suteu
  • musique originale
    Kevin Dean
  • enregistrement en studio
    Geoffrey Mitchell
    Luc Léger
    Matthew Thomson
    Sylvain Cajelais
  • ré-enregistrement
    Jean Paul Vialard
  • *
    Elizabeth Klinck
    Karen Feiertag
    Donald McWilliams
    Elizabeth Klinck
    Karen Feiertag
    Donald McWilliams
  • producteur exécutif
    Ravida Din
    David Verrall
  • producteur
    Marcy Page
    Adam Symansky

  • kingmaxwell

    I think this is an elegant attempt to get at some complicated ideas. The difficulty of memory, and what we remember is put at the forefront. Turns out that "being there" isn't a guarantee that you'll see, perceive or remember what actually happens. This film is a good example of national amnesia and the preference to disown our own stories when they are scary. Kudos to McWilliams for his struggle to get at the very ideas of what he encountered and did. I also think that the structure of the film is topnotch. Use of still shots, overlays, and narration were strong. This isn't a film to get at the full history of colonialism, but rather how it impacts a few people who swam in the water. Provocative.

    kingmaxwell, 27 Mai 2011
  • Ambricourt

    Although superbly edited the pacing is slow for contemporary audiences. The narrative is carried by the contrast between the unrepentant former Independence (Mau Mau) leader and the repentant ex-Englishman John Nottingham. Through these figures and the narrator's voice-over, moral issues are raised, but evaded; nostalgia becomes a narrative device blocking deeper questions such as: Who benefited from the Kenyan economy - in 1920s, 1950s, and 2000s? Who manipulated the anti-Independence propaganda machine in 1950s financing films like SIMBA? Who, in 2010, are the present controllers of the Kenyan government and economy? Despite references to outrageous behaviours, this is a benign film about abominations committed across racial boundaries. If it were less benign its message would be more potent.

    Ambricourt, 2 Jul 2010