Sculpting Memory places Atom Egoyan in an audiovisual environment woven from the fabric of his own films―a conceptual move that references Egoyan’s adaptation of Beckett’s Krapp’s Last Tape while evoking Egoyan’s own work as a moving-image installation artist and his concern with the recording and displaying of images. Directed by Toronto-based writer/director Daniel Cockburn and produced by Justine Pimlott. Produced by the NFB in co-operation with the National Arts Centre and the Governor General's Performing Arts Awards Foundation on the occasion of the 2015 Governor General's Performing Arts Awards.
Sculpting Memory places Atom Egoyan in an audiovisual environment woven from the fabric of his own films―a conceptual move that references Egoyan’s adaptation of Beckett’s Krapp’s Last Tape while evoking Egoyan’s own work as a moving-image installation artist and his concern with the recording and displaying of images. Directed by Toronto-based writer/director Daniel Cockburn and produced by Justine Pimlott.
Produced by the NFB in co-operation with the National Arts Centre and the Governor General's Performing Arts Awards Foundation on the occasion of the 2015 Governor General's Performing Arts Awards.
Convient parfaitement aux dissertations, aux débats et aux projets portant sur le sens des films et sur la création de sens.
Selon Atom Egoyan, comment un film crée-t-il de l’ordre? Comment les lieux et l’espace font-ils émerger le sens dans un film? Rédigez un texte sur un film dans lequel le décor tient un rôle essentiel. Que veut dire Egoyan lorsqu’il affirme que l’expérience humaine n’est pas linéaire? Créez un texte narratif qui raconte une histoire de façon non linéaire. Rédigez une critique portant sur l’un des films d’Egoyan.
Sculpting Memory, Daniel Cockburn, offert par l' Office national du film du Canada