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RiP! A Remix Manifesto

Name: RiP! A Remix Manifesto
Duration: 1 h 26 min

Brett Gaylor

2008 | 1 h 26 min

Visionnage
gratuit

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Synopsis
Point de vue
Éducation et guides pédagogiques

Join filmmaker Brett Gaylor and mashup artist Girl Talk as they explore copyright and content creation in the digital age. In the process they dissect the media landscape of the 21st century and shatter the wall between users and producers. Creative Commons founder, Lawrence Lessig, Brazil's Minister of Culture, Gilberto Gil, and pop culture critic Cory Doctorow also come along for the ride.

Ce film traite d'un sujet controversé. Pour public averti.

Manifesto Point # 2: The filmmaker’s role is to experiment and adapt documentary forms to the original idea. Break stereotypes. Push the boundaries of what documentary means.RIP: A remix manifesto (trailer) not only has the word manifesto in its title (!), it is a great example of experimenting with and adapting documentary ideas. It is a cinematic argument for the right to use other people’s material in your own creations without being penalized. Director Brett Gaylor and the great gang at Eyesteele Film, in co-production with the NFB, use really innovative tools of the digital revolution to MAKE this film. Through their process called “open source cinema” Brett invites users around the world to upload, remix and reinterpret the actual film itself on his Web site. Winner of the prestigious 2008 audience award at the largest documentary festival on earth, IDFA.
Katerina Cizek
De la sélection : Manifesto for Interventionist Media - because Art is a Hammer

So this would have to be my favourite flick of them all. I love the use of the word mash-up. It applies to so many aspects of life in general--interracial relationships, dance hybrids like Bollywood (bhungra & urban dance together), chicken and waffles. At any rate, dance is all about taking different worlds, combining them and enjoying the explosion from that partnership. I hope I get the opportunity to watch Girl Talk live one day. He creates stimulating sounds, perfect for a dancer or any artist's palette. He's got an irresistible drive and his passion gives him this attractive energy that other people want to be around. He knows how to rock a party! And as for copyright? I would have to say I'm copyleft...
Tré Armstrong
De la sélection : Tré Armstrong on dance, music and passion

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<iframe src="https://www.onf.ca/film/rip_a_remix_manifesto/embed/player/" width="(( width ))" height="(( height ))" frameborder="0" allowfullscreen="true" webkitallowfullscreen="true" mozallowfullscreen="true"></iframe><p style="width:(( width ))px"><a href="https://www.onf.ca/film/rip_a_remix_manifesto/" target="_blank"><em>RiP! A Remix Manifesto </em></a><span>, </span><a href="https://www.onf.ca/cineastes/brett-gaylor/" title="plus de films par  Brett Gaylor" target="_blank"><span>Brett Gaylor</span></a><span>, </span><a href="https://www.onf.ca" target="_blank">offert par l'Office national du film du Canada</a></p>

Largeur de la vidéo :

par Réinitialiser

Générique

producteur

Mila Aung-Thwin

Kat Baulu

Germaine Ying Gee Wong
producteur exécutif

Daniel Cross

Mila Aung-Thwin

Ravida Din

Sally Bochner
prise de vues

Mark Ellam
directeur adjoint

Mark Ellam
monteur

Tony Asimakopoulos

Brett Gaylor
écriture

Brett Gaylor
réalisateur

Brett Gaylor
participant

Gregg Gillis

Mary Beth Peters

Cory Doctorow

Lawrence Lessig

Dan O'Neill

Gillis Family

Mark Hosler

Charlie Angus

David Greubel

Elisa Greubel

RaeJ Schwartz

Patti Santangelo

Don Smith

Robert Crane

Jammie Thomas

Amp Live

Bruce Lehman

Sany Pitbull

DJ Marlboro

Gilberto Gil

Students of Pensando Juntos
producteur associé

Brett Gaylor
producteur au développement

John Christou
gérant de production

Halima Ouardiri

Daniela Broitman
administrateur de projets

Anuj Khosla
None

Bob Moore

John Christou

Sia Koukoulas

Gavin Fernandes

Chris Leon

Alexis Farand

Éric Lagacé

Elizabeth Klinck

David Fewer

Dean Chenoy

Dominique Aubry

Taisa Mattos

Luis Antonio Silveira

Joel Gonzalez

Jonathan Chang

Lixin Fan

Ursula Henzl

Geneviève Danforth

Jessica Mayne

Edmund Duff

Cherine Benjelloun

Jon Cohen

Meghan Maike

Jimmy Medellin
caméra additionnelle

Zacharie Fay

Mila Aung-Thwin

Brett Gaylor

Stefan Hess

Robin McKenna

James Larden

Alec Matthewson

Barry Stone
prise de son

Brett Gaylor

Mila Aung-Thwin

Kyle Stanfield

Pablo Villegas

Richard Aylsworth
musique originale

Olivier Alary
supervision de la postproduction

Gary Evans
coordonnateur postproduction

Michael MK Siu

Steve Hallé

Marysol Moran

Brigitte Sénéchal
superviseur montage numérique

Danielle Raymond
superviseur du montage sonore

Cory Rizos
concepteur du son

Kyle Stanfield
mixeur du repiquage

Cory Rizos
direction de la voix

Thor Bishopric
enregistrement sonore supplémentaire

Ryan Flynn

Jason Milligan

Ben Lazard

Kenny Bean
consultation montage

Daniel Cross

Mark Ellam
monteur en ligne

Yannick Carrier
animation

Francis Hanneman

Omar Majeed

Conor Higgins

Darren Pasemko

Kent Hugo

Brett Gaylor
illustrations

James Braithwaite
assistant monteur

Ryan Mullins

Brett Story

Drew Williamson

Conor Higgins

Michael MK Siu
superviseur acquisition des droits

Bob Moore
recherche

Drew Williamson

Kirwan Cox

Rob Maguire

Daniela Broitman
traducteur

Marisa Berry

Alex Costa
administrateur de plateau

Dan Emery

Nickie Merulla
agent, marketing

Moira Keigher
stagiaire à la production

Melisa Forero
audio

Dave Merchant
opérateur de dolly

John Scates
éclairages

Mike Starobin
sous-titrage

Robert Paquin

Robert Gray

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Ajouter un commentaire

Let me get this right? She worked at the copyright office for 40 YEARS and couldn't answer his question to her about infringement? Come on!
fitgirldc, 25 Jul 2015
Let me get this right? She worked at the copyright office for 40 YEARS and couldn't answer his question to her about infringement? Come on!
fitgirldc, 25 Jul 2015
I loved it, because its showing this generation of copyright. After you look at it, think about ( in your words) how you can explain all of it in 5 minutes
Kira1997, 26 Fév 2015
This is so great, man. It's not just a documentary about remix culture, it's a fantastic remix for remix culture. I enjoy all the brilliant ideas you put in this video. Also I'm doing a personal project about Creative Commons, which meant to encourage the free/remix culture, but in my own opinion, it's not in the right way to reach the utopia. It's in a really embarrassing position now.
Yiqi, 2 Nov 2014
Like it or not it's copyright law 03-27-14 tjsutherland
tjsutherland, 27 Mar 2014
really informative doc
moiznoleet, 7 Fév 2014
Greeeeeeeeeeaaat film! Opps Kellogg's might come after me! Really enjoyed this film and it open my eyes to many issue on copyright laws. As an producer/artist I love to remix and build from the past. I will definitely be sharing this film. Thanks for the Fantastic work.
Crashtest, 28 Jul 2013
I'm pretty sure this film is ripping off Michael Moore.
vandecamps, 23 Fév 2013
I'm sorry, but Professor Lessig's argument; that if you look at "mash-ups" like an essay, using the correct quotations, credits and sources, it should be fair use, is wrong. If we look at what Girl Talk is doing as an essay, we would see a whole paper full of words other people have said, with no quotation marks, and no sources cited with the author claiming that the work is his. That is called plagiarism. That is what he is doing. I do, however think that what Girl Talk puts out is awesome, I love the sound. I think his "mash-up" sound is amazing. But the fact he sells his album on iTunes without wanting to pay royalties is not right. The mentality that he wants to use something that he did not musically create or physically record, and make money on it without paying for the rights to do so, is not fair to the artist and musicians that actually created the chords, the rhythms, the lyrics and the melodies. His art should be recognized as a very important part of today's culture, but credit should be given where credit is due.
vandecamps, 23 Fév 2013
I was watching this but it kept stopping for buffer... so I switched to my downloaded copy :)
LucaTarantini, 22 Nov 2012
How ironic is it that this movie isn't available for mixing, at least in Canada!
cpenner, 29 Mai 2012
I'm looking for the name of the track starting at 17.57 since a long time ... The beat is so crazy !! Does anyone have it ? Thanks :)
Illmatic75, 16 Avr 2012
I want to use this film for educational purposes. Does Fair Use apply, or do I have to pay for it?
sm1thy, 13 Avr 2012
@b2 - Technical issue. It's working fine now. Sorry!
jmatlin, 29 Oct 2010
Curious, the movie is no longer available. Is it a technical issue or a copyright issue?
b2, 29 Oct 2010
What an awesome movie! It makes me proud of being Brazilian (from Rio de Janeiro)! As a physicist I work in an environment of free remixing and all society should behave like it. Have you heard of LHC? It is the product of decades, centuries of free flow of ideas. I'll do my best and spread the word. Great work, guys! Keep remixing! Pirataria, sim! Liberdade digital já!
phmota, 28 Sep 2010
what is the title of the bittersweet symphony remix!!! its totally awesome
fergd2050, 9 Jul 2010
this movie is great. i really enjoyed it. vinz (italy)
vinz, 11 Avr 2010
great film... very provocative. If a little one-sided. it's not as black & white. not all musicians agree with lars ulrich of metallica. I worry that the next generation of songwriters will be left behind, because all the attention is on "remixing" existing "source material" is there no space for new source material... the new bands & artists are forgotten in all of this. U2/Aerosmith/JayZ will not crumble, but are future musicians to go the way of the dodo?
thebhoydave, 30 Mar 2010
What can i say... This was amazing, it really express what we all think down deep. It's a must watch, you should really spend the 1 hour and a half, you'll realize that it's all true. Everything explained in that movie is possible if everyone stand together, it's been proved once in the software industry with the linux foundation and the open source community. Hopefully we will all come to our sense and realize where we stand in life right now. Aeon
xaeon8, 5 Mar 2010