Gloria Victoria
Gloria Victoria unfolds on the still-smouldering rubble of a furious 20th century, propelled by the exalting “invasion” theme from Shostakovich’s Leningrad Symphony (No. 7). Resembling a military march with bolero overtones, the music sweeps over imagery of combat fronts and massacres, leading us from Dresden to Guernica, from the Spanish Civil War to star wars. It is at once a symphony that serves the war machine, that stirs the masses, and art that mourns the dead, voices its outrage and calls for peace.
Gloria Victoria unfolds on the still-smouldering rubble of a furious 20th century, propelled by the exalting “invasion” theme
from Shostakovich’s Leningrad Symphony (No. 7). Resembling a military march with bolero overtones, the music sweeps over imagery of combat fronts and massacres, leading us from Dresden to Guernica, from the Spanish Civil War to star wars. It is at once a symphony that serves the war machine, that stirs the masses, and art that mourns the dead, voices its outrage and
calls for peace.
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réalisateurTheodore Ushev
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conception sonoreOlivier Calvert
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ré-enregistrementSerge Boivin
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spécialiste en imagerie numériquePierre Plouffe
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en-ligneDenis Gathelier
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agent, marketingChristine Noël
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administrateurDiane Régimbald
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équipe administrativeDiane AyotteKarine DesmeulesMichèle Labelle
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coordonnateur techniqueDaniel Lord
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production déléguéeFrancine LangdeauJocelyne Perrier
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producteur exécutifRené Chénier
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producteurMarc Bertrand
Gloria Victoria, Theodore Ushev, offert par l'Office national du film du Canada