Norman McLaren: Hands-on Animation

Une sélection de Donald McWilliams

Neighbours


In this Oscar®-winning short film, Norman McLaren employs the principles normally used to put drawings or puppets into motion to animate live actors. The story is a parable about two people who come to blows over the possession of a flower.

For more background info on this film, visit the NFB.ca blog.

McLaren had been very intrigued by French trick films from the early 1900s in which everyday objects were animated frame by frame. He did some experimenting in his student films, and later he animated a household of furniture in a film for the General Post Office in London. He then wondered about the possibility of animating people frame by frame. This curiosity culminated in the extraordinary parable Neighbours, in which two men behave like cartoon characters in a tale both funny and ferocious. McLaren called the technique pixillation. The term is now universally misspelt as pixilation, which has an entirely different dictionary definition. McLaren made the term up from the word “pix,” an abbreviation for picture.

Extrait de la sélection : The 1950s: Television and the Move to Montreal

Canadian theatrical distributors were not too impressed when they were shown Neighbours in 1952. Most thought it of poor technical quality as well as gruesome. Most American distributors agreed, yet the film was picked up and shown theatrically stateside, leading to a surprising Academy Award for Best Short Documentary. The Oscar® led to theatrical showings around the world. Interestingly, the film was censored by an American educational distributor, who felt that the scenes of the women and babies being attacked were too much to show to children. It wasn’t until 15 years later that Norman McLaren would restore the film to its original version.

— Albert Ohayon

Extrait de la sélection : Norman McLaren: Hands-on Animation

McLaren had been very intrigued by French trick films from the early 1900s in which everyday objects were animated frame by frame. He did some experimenting in his student films, and later he animated a household of furniture in a film for the General Post Office in London. He then wondered about the possibility of animating people frame by frame. This curiosity culminated in the extraordinary parable Neighbours, in which two men behave like cartoon characters in a tale both funny and ferocious. McLaren called the technique pixillation. The term is now universally misspelt as pixilation, which has an entirely different dictionary definition. McLaren made the term up from the word “pix,” an abbreviation for picture.

— Donald McWilliams

Dans cette sélection

Neighbours  

Neighbours

  • In this Oscar®-winning short film, Norman McLaren employs the principles normally used to put drawings or puppets into motion to animate live actors. The story is a parable about two people who come to blows over the possession of a flower. For more background info on this film, visit the NFB.ca blog.

Toys  

Toys

  • This stop-motion animation takes a dark look into the war toys often given to children at Christmas time. Starting off as harmless objects, the toys quickly take on the gestures of real soldiers, mimicking the actions and penalties of a real war. This critical commentary on war and glamorized violence creates a real and frightening battle.

A Chairy Tale  

A Chairy Tale

  • In this Oscar®-nominated short film, a chair, animated by Evelyn Lambart, refuses to be sat upon, forcing a young man to perform a sort of dance with the chair. The musical accompaniment is by Ravi Shankar and Chatur Lal. This virtuoso film is the result of a collaboration between Norman McLaren and Claude Jutra.

Hen Hop  

Hen Hop

  • This joyful short animation features a dancing hen that transforms into an egg. The film was made without a camera by Norman McLaren, who drew directly onto 35 mm movie stock with ordinary pen and ink. Colour was added optically.

Begone Dull Care  

Begone Dull Care

  • In this extraordinary short animation, Evelyn Lambart and Norman McLaren painted colours, shapes, and transformations directly on to their filmstrip. The result is a vivid interpretation, in fluid lines and colour, of jazz music played by the Oscar Peterson Trio.

Le merle  

Le merle

  • In this animation film, Norman McLaren imparts unusual activity to an old French-Canadian nonsense song. Simple white cut-outs on pastel backgrounds, many by Evelyn Lambart, provide lively illustrations. The folksong "Mon Merle" is sung in French by the Trio Lyrique of Montreal.

Very Nice, Very Nice  

Very Nice, Very Nice

  • Arthur Lipsett's first film is an avant-garde blend of photography and sound. It looks behind the business-as-usual face we put on life and shows anxieties we want to forget. It is made of dozens of pictures that seem familiar, with fragments of speech heard in passing and, between times, a voice saying, "Very nice, very nice." It was critically acclaimed and plays frequently in festivals and film schools around the world.

Pas de deux  

Pas de deux

  • Film expérimental qui met en scène Margaret Mercier et Vincent Warren, deux étoiles des Grands Ballets canadiens. Les danseurs vêtus de blanc évoluent dans un décor peint en noir, et l'ensemble, harmonieux, traduit toute la créativité de McLaren.

Two Sisters  

Two Sisters

  • This animated short, etched directly onto tinted 70 mm film, depicts the story of two sisters: Viola, who writes novels in a dark room, and Marie, her only companion. Disfigured, Viola counts on her sister to take care of her and shelter her from the outside world. But when an unexpected stranger turns up on their front door, the sisters' quiet lives are disrupted and their routine turns to chaos.