In the past 20 years, some 300,000 English-speaking people have left Montréal, convinced they had no future in a Québec that had become increasingly French, increasingly nationalistic. In this video we meet some of the people who are moving away and recall the days, in the last century, when there were more English-speaking people than French in Montréal. The video poses a controversial question: Will the city, with its youth leaving in great numbers, become a community of the elderly, unable to renew itself?

Wintopia is an intimate father-daughter story and poignant search for the meaning of utopia. Following the quick and tragic death of Peter Wintonick, Canada’s “documentary ambassador to the world”, his daughter Mira Burt-Wintonick dives into her father’s obsession with untangling the contradiction that is utopia. The remains of his unfinished film and several hundred hours of raw footage shot over 15 years leads Mira to surprising places and connections with her father, compelling all of us to live life with purpose.

Show Girls celebrates Montreal's swinging Black jazz scene from the 1920s to the 1960s, when the city was wide open. Three women who danced in the legendary Black clubs of the day - Rockhead's Paradise, The Terminal, Café St. Michel - share their unforgettable memories of life at the centre of one of the world's hottest jazz spots. From the Roaring Twenties, through the Second World War and on into the golden era of clubs in the fifties and sixities, Show Girls chronicles the lives of Bernice, Tina and Olga - mixing their memories with rarely seen footage of the era. Their stories are told against a backdrop of the fascinating social and political history that made Montreal a jazz and nightclub hotspot for decades. It is a story of song and dance, music and pride.

Freaks of Nurture is an animated short about a neurotic mother-daughter relationship inspired by the filmmaker’s own unorthodox upbringing with her single-parent mom, who is also a foster parent and dog breeder. Self-deprecating and bursting with energy, the film reveals that no matter how grown-up we think we are, we never quite stop craving the love and support of a parent.

This animated short by Theodore Ushev depicts the maelstrom of anguish that tormented Arthur Lipsett, a famed Canadian experimental filmmaker who died at the age of 49. His descent into depression and madness is explored through a series of images as well as sounds taken from Lipsett's own work.

Brilliantly mixing animated sequences and archival footage, Marie-Josée Saint-Pierre paints a touching portrait of virtuoso pianist Oscar Peterson. As with her previous films (McLaren’s Negative and Jutra), Saint-Pierre pursues her bold and personal approach with this animated documentary of Oscar Peterson at the twilight of an exceptional career, as he wistfully meditates on the price of fame and the impacts of the artist’s life on family life. From the young prodigy’s beginnings in Little Burgundy to his triumphs on the international stage alongside the biggest stars of his time, Oscar explores the profound solitude of an artist constantly on tour, and the difficulty in reconciling his professional success with his role as husband and father. Set to the tunes of Peterson’s sometimes catchy, sometimes melancholy-tinged compositions, the film alternates between animated sequences and footage of radio and video interviews to tell a heartfelt story about a life in jazz.

Director Mina Shum makes her foray into feature documentary by reopening the file on a watershed moment in Canadian race relations – the infamous Sir George Williams Riot. Over four decades after a group of Caribbean students accused their professor of racism, triggering an explosive student uprising, Shum locates the protagonists and listens as they set the record straight, trying to make peace with the past.

This feature-length documentary is a dynamic kaleidoscopic portrait of Socalled (aka Josh Dolgin), a multi-disciplinary musician and artist whose unique blend of klezmer, hip hop and funk is blasting through the boundaries that separate music of different cultures, eras and generations.

Socalled is unstoppable: a pianist, singer, arranger, rapper, producer and composer – as well as magician, filmmaker and visual artist. The "Socalled" Movie offers a nuanced picture of an individual who's artistically fearless.

Mohammed and Yulanda Faris are generous and devoted patrons of the arts. Through dramatic re-creation, this short documentary captures the spirit of Montreal in the 1950s, the early days of their relationship, and their passion for music and dance. If we all danced more, says Yulanda Faris, we would be happier people.

Produced by the NFB in co-operation with the National Arts Centre and the Governor General's Performing Arts Awards Foundation on the occasion of the 2010 Governor General's Performing Arts Awards.

In this award-winning animation-documentary, we meet two unusual artists. Ryan Larkin was once a brilliant filmmaker who ended up on the streets in Montreal. Chris Landreth is a rising star in animation beginning to experience the kind of adulation Larkin received decades earlier.

With excerpts from both men's Oscar®-nominated works, this film delves into the tale of Larkin’s descent and the fascinating relationship that developed between the two men. It is a poignant study of artists, addiction and creativity.

In this documentary, journalist Josh Freed takes a personal journey through English-speaking Montréal; its history, its haunts, its characters, and the difficulties and delights experienced in trying to straddle two solitudes. This is a sometimes angry, often funny and always affectionate portrait of a city split along linguistic lines, as seen through the eyes of its English-speaking minority.

This informal black-and-white portrait of Leonard Cohen shows him at age 30 on a visit to his hometown of Montreal, where the poet, novelist and songwriter comes "to renew his neurotic affiliations." He reads his poetry to an enthusiastic crowd, strolls the streets of the city, relaxes in this three-dollar-a-night hotel room and even takes a bath.

This short documentary profiles Sophie Wollock and the newspaper she founded for the western suburbs of Montreal in l963, The Suburban. A weekly paper distributed free to some 45,000 homes, most of them anglophone, The Suburban became famous for the strongly worded editorials written by Wollock, mainly on the subject of Québec nationalism. The film looks at the paper, then under the guidance of her son, and sums up some of Wollock's more impassioned editorials.

Filmmaker Albert Kish revisits Montreal's St Lawrence Boulevard in the '70s. The street, also known as "The Main," is a little Europe with many languages, foods and small courtesies that make a stranger feel at home.

This feature documentary is a portrait of the life and work of Canadian poet Irving Layton. Here, the artist who long masked himself in controversy, unexpectedly agrees to be unmasked in front of the camera. The 1981 Nobel nominee not only reads and explicates his own writings, but also speaks incisively about Canadian literature itself, defining it metaphorically as a "double hook" that combines "beauty and terror."

For more background info on this film, visit the NFB.ca blog.

This award-winning animation is a poignant interpretation of a short story by Montreal author Mordecai Richler. It makes a strong statement about how many families respond to their old and infirm members. In washes of watercolour and ink, filmmaker Caroline Leaf illustrates reactions to a dying grandmother, capturing family feelings and distilling them into harsh reality.

This feature documentary explores Mordecai Richler's cultural and geographic roots as well as his personal reasons for writing. The film includes excerpts from several of his books and movies as well as readings by the author.

This short documentary focuses on a Montreal public school where thousands of immigrant children learn English for the first time. Part of the Candid Eye series.

This short documentary takes you on a tour of one of Montreal's first health food stores. The camera scans shelves stocked with all manner of natural foods to which nary an additive has been added: soybean and sesame seed products, wild honey, and even eggs from hens fed on blackstrap molasses. But the real eye-openers are in what you hear between the aisles, from the store's owner and his customers.

This feature-length documentary looks at those desperate days of October 1970 when Montreal awaited the outcome of FLQ terrorist acts. Using news reports and clips from the time, the film reflects upon the October Crisis and reveals the relief, dismay and defiance people felt when the Canadian army stepped in.

This feature documentary gives voice to various English-speaking groups in Montréal and other places in Québec as they react to the October Crisis of 1970, when Québec nationalism took a violent turn. A British diplomat had been kidnapped, a Québec cabinet minister murdered. The troops were brought in as a safeguard. This film is a vigorous reflection of the discussions and analyses of the situation that went on wherever people gathered, voicing attitudes and fears, sympathies and concerns.

This documentary short is a portrait of Canadian photographer William Notman. Photography was still in its infancy when he opened his first studio in Montreal in the late 1850s. He rapidly turned his art, and a budding technology, into a highly successful business. Within 5 years he was appointed Photographer to the Queen. Not content with doing mere portraiture, he saw photography as a means of documenting history. With the use of props in his studio, composite photographs, and calling on his background as a trained artist, Notman immortalized the people and places of Canada.

This feature documentary is a portrait of Montreal political cartoonists Aislin and Serge Chapleau. In the pages of The Montreal Gazette and La Presse, respectively, they’ve been skewering politicians for 30 years. But who are these biting satirists? The film seeks to answer this question through interviews with the cartoonist's friends, families, colleagues, and even a few of their favourite victims, including Gilles Duceppe and Louise Beaudoin. Featuring many of their classic cartoons, Nothing Sacred pays tribute to gifted iconoclasts whose hilarious characters have seeped into our collective consciousness.

This documentary invites you to join acclaimed playwright David Fennario for a performance of his funny and touching one-man play Banana Boots.

The film recounts Fennario’s memories of Montreal’s Verdun and Point Saint-Charles districts, follows him on a journey to Belfast for the Irish premiere of his hit play Balconville, and details his move from major theatrical performances to community theatre, where he sought to "create theatre that can be used to fight back."

This full-length documentary is the 7th and final part of Corporation, a film series about the inner workings of the Steinberg supermarket chain. This installment documents a 3-day conference held in the corporation's lodge north of Montreal. There, faced with the stepping down of Sam Steinberg as president, ambitious top-level executives thrash out their differences on matters of corporation policy and objectives. But who will replace Mr. Sam, the man who built the business? Sprinkled with Sam Steinberg's reminiscences and reflections on business, full of insights into the workings of a large corporation and clashes of interest and character, the film presents an unusually close view of a struggle for position and power.

This full-length documentary is the 4th part of the Corporation, a film series about the inner workings of the Steinberg supermarket chain. This installment looks at the management of cultural conflict: how a major Canadian corporation comes to grips with one of the principal challenges it faces--the bilingual, bicultural nature of the Québec society in which it is headquartered. A close and remarkably candid view of how the president, Sam Steinberg, and his top and middle management handle a problem with parallels far beyond the borders of Québec.

This feature documentary is considered to be the forerunner of the NFB's Challenge for Change Program. The film offers in inside look at 3 weeks in the life of the Bailey family. Trouble with the police, begging for stale bread, and the birth of another child are just some of the issues they face. Through it all, the father tries to explain his family's predicament. Although filmed in Montreal, the film offers an anatomy of poverty as it occurs throughout North America.

This feature documentary is a sequel to the 1966 documentary The Things I Cannot Change, which, by focusing on the Bailey family of Montreal, provided an anatomy of poverty in North America. Courage to Change explores what has happened to the Baileys in the intervening 18 years.

In this feature length documentary, filmmaker Arthur Lipsett's close friend Martin Lavut documents the influence of the eccentric Oscar-nominated film genius. The world of cinema tragically lost Lipsett in 1986 when the Montreal-born artist committed suicide 2 weeks before his 50th birthday. This feature documentary celebrates the life and legacy of one of Canada's greatest creative minds, who began his filmmaking career at the NFB.

This short film brings together animated interpretations of 2 poems by great Canadian wordsmiths: “Perishing Bird” by D.G. Jones, and “Mon école” by Sylvain Garneau.

These provocative 20-minute movies made by high school students provide an insider's look at youth culture. Made by four 17-year-old directors with help from a professional crew, Salt is a four-part filmzine: four films, four flavours, four windows into youth culture that explore alternative education, Montreal's flourishing independent music scene, the troubling practice of self-mutilation and a quest for the punk subculture.

This feature documentary profiles Jean-Guy Moreau, a Québécois comedian, impersonator and political satirist who rises far above the level of being merely funny. In this film he prepares to perform in English before a Toronto audience. He will impersonate Premier René Lévesque conducting a press conference. Moreau becomes so caught up with his subject that at times his personality merges with that of Lévesque, as he fends off the questions of a very engaged audience.

This documentary is a portrait of Point St. Charles, one of Montreal’s notoriously bleak neighbourhoods. Many of the residents are English-speaking and of Irish origin; many of them are also on welfare. Considered to be one of the toughest districts in all of Canada, Point St. Charles is poor in terms of community facilities, but still full of rich contrasts and high spirits – that is, most of the time.

The growing resolve of a group of Montréal women, members of STOP (Society To Overcome Pollution), to do something about air pollution by factories in their city led to a campaign to focus public attention on the problem. Despite rebuffs of every kind, they persisted until they were able to bring newspapers, radio and television to bear on their fight. What they accomplished, and how they went about it, will interest urban audiences.