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«Nice to see this again after many years. What I really noticed this time was the use of the sound track to enhance the feel. Today we often see docs use actors or animation to re-enact aspects, but seem to me that sound can do the job very well.»
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Date de modification : 2009-09-28 © 2011 Office national du film du Canada
Albert Ohayon
Extrait de la sélection : World War I Armistice
Adam Symansky
By the time this film was made, Donald had been at the Film Board for several years. He'd started out as a production manager and then made several films that were purely utilitarian. He also did a few little dramas about racism that displayed social conscience, but they weren't very good. In fact, he thought he was on the verge of being fired.
Then he was hired to write the Canada at War series, and he kind of redeemed himself… except that from then on he was regarded as a writer. Then along came the project about war graves – another sponsored film that nobody wanted – and they gave it to Donald. Who knows what Brittain was thinking when he took it on, but drinking his way through Europe was probably uppermost in his mind. In fact, there are outtakes from this film of him drinking in several taverns that are hilarious.
But this was the film where Donald first showed off his poetic ability. The relationship between words and images, the irony he depicts by juxtaposing images, the cinematography – it's all there. This film is most memorable because it's clearly the film where Donald discovered his own unique style of narration.
Extrait de la sélection : Donald Brittain: Writer, filmmaker, storyteller.