Extrait de la sélection : Norman McLaren: Hands-on Animation
As filmmaking, A Chairy Tale is a virtuoso piece. A mélange of single-frame animation of a chair and an actor, multi-speed shooting, reverse shooting, moving time exposures, and the chair-as-marionette, being operated with black nylon thread, for the most part by Evelyn Lambart and Herb Taylor. A chair refuses to let a man sit on it. After many trials, the man (Claude Jutra) realizes that the chair wants the same privilege. The man concedes. Only then does the chair agree to accept his role in life, that of being sat upon. The film, with an improvised score by Ravi Shankar, was a big success, yet co-directors McLaren and Jutra were uneasy. Brilliant though it was, they realized they had in fact made a film about assimilation. The chair was still the loser.
— Donald McWilliams